I'm like , she , yeah , in major feature movies . She does entertainment journalism . Um , she does nightly news series journalism , interviews , the Obama family , which ABC news said was one of the top reasons he won .
And I feel like when you have the Sopranos come out and then a breaking bad and a and a Game of Thrones and , you know , the , the , you know , the generation of writers , the young kids , they have to be better now they are , but look at the model have to follow uh to teach them , guide them and inspire them . And so when you add all that up , it doesn't give the US writers , it doesn't give us a lot of leverage in terms of uh studios really need to rush back in and then you add in football now , which is you're gonna dominate until January or , you know , and on top of that uh reality television , TLC Bravo , the reality series of booming from what I hear from the studio heads there , a lot of them are sitting on a ton of content so they can really afford to bleed people out . Um And , uh which is tough .
It's exactly true . I remember there was a big giant producer of a really big nineties , uh , sitcom and we went to lunch with him because we were working on a project together . Somehow we start telling me a story about his family and his dad .
I mean , it was helpful to him and to Carmen and Jenny , especially Carmen um and Chris too , but we couldn't figure out what chris' thing was . Sitcom acting , stand up . He , we tried everything then lo and behold the internet comes around and then he creates the Nerdist and so the world caught up to him and it all went well .
But then I , I go in , I didn't see much . Um but when I really look into consumer behavior now , Natasha uh for scripted shows , we have as consumers , they have trained us now to go a year , year and a half , sometimes even two years without our favorite shows coming back . And then you add to the fact that we have more content than ever .
