How do , how do you translate that given the absence of , of language ? How , how do you translate that into a conversation with the artist ? And again , this could be about writing or comedy or , you know , science or podcasting that matter .
It's pretty , usually it's pretty straightforward , you know , when you have two choices , which you like better . And I think most creativity can be boiled down to that . That's very different than I wonder how this is going to perform on certain social media platforms .
When something feels creatively right ? And you're sensing it and um and you're there , let's say in the studio or maybe even you're listening to something that somebody sent you .
Final uh final works . Understanding how , how you feel in the face of other voices without second guessing yourself is probably the single most important um thing to practice as an artist or skill set to develop as an artist is to know how you feel and own your feelings . And the , and the key to that is not , I know .
It doesn't work that way . It's just I know for me and the reason I chose to be an artist is to demonstrate , this is how I see it . If I'm , if I'm undermining my taste for some commercial idea or uh it , it defeats the whole purpose of doing this .
