When something feels creatively right ? And you're sensing it and um and you're there , let's say in the studio or maybe even you're listening to something that somebody sent you .
It's pretty , usually it's pretty straightforward , you know , when you have two choices , which you like better . And I think most creativity can be boiled down to that . That's very different than I wonder how this is going to perform on certain social media platforms .
Final uh final works . Understanding how , how you feel in the face of other voices without second guessing yourself is probably the single most important um thing to practice as an artist or skill set to develop as an artist is to know how you feel and own your feelings . And the , and the key to that is not , I know .
How do , how do you translate that given the absence of , of language ? How , how do you translate that into a conversation with the artist ? And again , this could be about writing or comedy or , you know , science or podcasting that matter .
You know , it's like it's , it's um sometimes more choices is not better . So limiting your palate to something manageable forces you to solve problems in a different way . Now , in our um in our digital age , um music wise , you can make anything um digitally , there's no like in , in , there was a time when , if you didn't have a guitar in the studio , you couldn't record guitar or if you didn't , if you couldn't hire an orchestra , there couldn't be orchestra on your recording now , you can just call any of those things up .
